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The following graduate
courses are being offered in Spring 2005. Email addresses are included
for contacting instructors for further information. For a list of courses
being offered at the University of North Carolina at Chapel Hill, see
the attached
listing. For those who are not aware of the opportunity, Duke and
UNC have a reciprocal registration arrangement that allows graduate students
at one university to take courses at the other.
Inter-Institutional
Registration Agreement
Under the inter-institutional
registration agreement, any graduate, professional, or undergraduate student
enrolled as a degree-seeking student at any of the following participating
universities may participate in registration via the inter-institutional
registration process:
Duke University
North Carolina Central University
North Carolina State University
University of North Carolina at Chapel Hill
University of North Carolina at Charlotte
University of North Carolina at Greensboro
For further information
on rules and registration procedures, go to the
Inter-Institutional Registration Agreement website.
Duke/UNC
direct bus: A new Duke/UNC direct bus, funded by the Robertson Scholars
Program, departs frequently and makes traveling between the two campuses
easier than ever before. See the Robertson Scholars website for the departure
and arrival schedule for this bus.
Duke Medieval and Renaissance Graduate Courses for Spring 2005
ART HISTORY 395S. The Friar and the City
Caroline Bruzelius
M 1:15–3:45
204A East Duke Building
Synopsis:
A graduate
seminar on the origins and development of the mendicant orders and their
physical impact on medieval cities. We shall discuss the architecture
of the new orders in relation to their founding principles, sources of
economic support, and relations to the lay public as well as the secular
clergy. An important aspect of the class will be on the impact of the
Franciscans and Dominicans on the planning and fabric of
medieval cities.
MEDREN 200.02.
Advanced Topics in Medieval and Renaissance Studies: The Life and Thought
of Anselm of Canterbury, Bernard of Clairvaux, and Peter Abelard
(Also offered as Divinity School HISTTHEO 220.02)
Boyd Taylor Coolman
MW 4:00-5:15
Loc. TBA
Synopsis:
This course will allocate a third of the semester to each of these seminal
twelfth-century thinkers. While the primary focus will be their theological
and philosophical thought—through close reading of their most important
writings—this will be carefully contextualized within their respective
social, ecclesiastical, and political settings, and within the narrative
of their
individual lives.
MEDREN 206.01.
The Christian Mystic Tradition in the Medieval Centuries: Medieval Women
Contemplatives and Theologians (Also RELIGION 206.01, HISTORY
206.01; also offered as Divinity School CHURHST 206.01)
Susan Keefe
W 7:00-9:30 PM
Loc. TBA
660-3469
Synopsis:
Reading and discussion of the writings of medieval Christian mystics (in
translation).
MEDREN 209S.01.
Middle English Literature Topics: Wycliffite Writings (Also ENGLISH
212S.01)
Fiona Somerset
TH 1:15-3:45
Allen 317
Synopsis:
Wycliffism was England's first indigenous heresy: its early adherents
were religious dissidents who not only held to alternative religious beliefs
censured by the established church, but hoped to effect radical reforms
of the governance of both church and state. The Wycliffites (also known
as Lollards) left behind a large body of writings and translations in
a wide variety of genres, ranging through satirical broadsides, debates
and dialogues, declarative lists of their alternative positions, treatises
attacking aspects of church government or explaining specific beliefs,
individual self-defenses within the context of a trial for heresy (some
plainly fictionalized), imitations and adaptations of religious and secular
writings produced outside the movement (most notably Piers Plowman and
the Canterbury Tales), and the first full translation of the bible into
English that can still be read fairly easily today. In this class we will
study Wycliffism and its cultural impact by reading a broad sampling of
these writings. Along with using modern editions, we will use the evidence
about Lollard writing and readerships that the manuscript record and early
printed books can provide: all students will be trained in paleographical
and codicological skills to enable them to do this research. Some previous
exposure to Middle English and/or the study of medieval England will be
helpful, but is not required. No previous work in the field of History
of the Book is required. The temporal span will be from about 1370-1550,
with some scope for further comparative extension in response to student
interest.
MEDREN 218S.01.
Medieval Philosophy (Also PHIL 218S.01)
Edward Mahoney
M 6:15-8:45
West Duke 204
660-3061
Synopsis:
Study of Augustine against background of late ancient Roman philosophy,
and Thomas Aquinas and others against background of medieval Muslim philosophy,
in particular Avicenna and Averroes, and Neoplatonism.
MEDREN 220S.01.
Shakespeare: Shakespeare and Company (Also ENGLISH 220S.01)
Joseph Porter
W 6:00-8:30
Allen 317
Synopsis:
We will read and discuss Othello in the new Arden edition (ed. Honigmann)
and a baker's dozen of other plays by Shakespeare, Kyd, Marlowe, Jonson,
and Middleton, in the context of what is known and being discovered about
the works' composition, performance, and publication, with special attention
to revolutionary kinds of computer-assisted investigation, and to what
is revealed by the recently-discovered foundations of the Rose and Globe
theaters, and by the newly-opened London Globe replica.
READING ASSIGNMENTS: Andrew Gurr, The Shakespearean Stage, 1574-1642,
Donald Foster, "The Webbing of Romeo and Juliet," Thomas
Kyd, The Spanish Tragedy, Christopher Marlowe, I & II
Tamburlaine the Great, Edward II, William Shakespeare, Romeo
and Juliet, Othello, Coriolanus, The Winter's Tale, Ben Jonson, Every
Man in his Humor, Bartholomew Fair, Thomas Middleton, A Trick
to Catch the Old One, The Revenger's Tragedy, Middleton and Thomas
Dekker, The Roaring Girl.
EXAMINATIONS: None.
TERM PAPERS: Either one substantial essay due the last week of class,
or a series of two or three shorter papers distributed through the semester.
GRADE TO BE BASED ON: Class participation and written work.
ADDITIONAL INFORMATION/COMMENTS: While early modern drama, especially
Shakespeare, is proving exceptionally fruitful ground for computer-assisted
investigation, the methods in question are portable to other texts.
MEDREN 236A.01. Luther and the Reformation in Germany
(Also RELIGION 236.01; also offered as Divinity School HISTTHEO 236.01)
David Steinmetz
W 4:00-6:30
Loc. TBA
Synopsis:
The theology of Martin Luther in the context of competing visions of reform.
MEDREN 240.01.
Medieval Narrative: Allegory and Writing Love (Also FRENCH 240.01)
Helen Solterer
M 4:25-6:55 pm
Languages 305
Synopsis:
Premodern Europe is commonly credited with two inventions: romantic love
and the mode of reading and writing known as allegory. This seminar will
investigate them together. Building on Jacques Lacan's contention that
we cannot understand the modern psyche and its desires without making
sense of the figurative languages of courtly love, we will begin by reading
in tandem: the earliest vernacular "how-to" manual, Andreas
Capellanus' Art de l'amour courtois, with Roland Barthes's Fragments
d'un discours amoureux. Our work will concentrate on the most controversial
allegory, the Roman de la rose, and one principal author, Christine
de Pisan, who engaged with it critically through a life of writing. This
first professional woman writer in the Francophone tradition makes an
important case-study for examining allegory. We will study her polemic
on the Rose, critiquing its unethical writing. And we'll explore her own
allegorical experiments in gender; including the Chemin de longue
etude, inspired by Dante, and the autobiographical L'Avision
Christine. To help us in our inquiry, we'll debate essays by Erich
Auerbach, Slavoj Zizek, Giorgio Agamben. It is possible that Jacqueline
Cerquiglini-Toulet, today's top critic of Christine de Pisan, will join
us.
This seminar offers an initiation into premodern French culture. No earlier
coursework is required. All work will be done with the latest translations
into French, with strategic analysis of the Old French, thanks to the
Lettres gothiques series that will help us to read the original
with a translation. This seminar will be conducted in French or English,
depending on the makeup of the group: all students in English, Literature,
Art History, and History are welcome.
MEDREN 243S.01.
Topics in Netherlandish and German Art: Art and Markets (Also
ARTHIST 243S.01)
Hans J. Van Miegroet
W 7:15-9:45 PM
East Duke 204A
Synopsis:
Specific problems in northern Renaissance or baroque art such as the Antwerp
workshops of the sixteenth century or a critical introduction to major
artists such as Van Eyck, Bosch, Dürer, and Rubens. An analytical
approach to their lives, atelier procedures and follower; drawings and
connoisseurship problems; cultural, literary, social, and economic context;
documentary and scientific research strategies.
MEDREN 272B.01.
The Early Medieval Church: Seven Ecumenical Councils (Also RELIGION
272B; also offered as Divinity School CHURHST 272.01)
Susan Keefe
M 7:00-9:30 PM
Loc. TBA
660-3469
GERMAN 302.
Topics in Literary Theory: Research Methods In Literary Scholarship
Ann Marie Rasmussen
M 4:25-6:55
Old Chemistry 101
For a weekly schedule, see the course syllabus.
SPANISH 354.
Drama of Renaissance and Early Modern Spain: The Tragedy of Early Modern
Spain
Margaret Greer
T 7:15-9:45 PM
Languages 305
Synopsis:
Study of the nature, development, and cultural function of drama in 16th-
and 17th-century Spain through representative plays – canonical
and non-canonical – of the period.
FRENCH 325.
Montaigne and Friends
Marc Schachter
TH 7:15-9:45
Languages 305
684-8111
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