Michael Joyce
an annotated bibliography
See Joyce's homepage for a complete list
of his publications. I list only those I've read and/or about
which I've found secondary literature.
Fiction writer, poet, essayist; co-developer of Storyspace with
Jay Bolter and John Smith. Undoubtedly the best-known and most
written-about hypertext fiction writer to date, and likely the most
accomplished.
A brief
biography is available at Eastgate's site.
Michael Joyce's home page is available from Vassar or AALN.
- Afternoon, a story (3 spaces, 3 links; 1995?).
- The "granddaddy of hypertext fiction" as Robert Coover has
called it. This "teaser" converted to HTML gives no hint of the
rich texture of the original complete version (539 spaces, 951
links; 1987), which was written in Storyspace and is available from Eastgate. (4/25/95)
CRITICISM & REVIEWS
- Bernstein, Mark,
Jay David Bolter, Michael Joyce, and Elli
Mylonas. "Architectures for Volatile Hypertext." In
Hypertext '91, Association for Computing Machinery, 1991,
pp. 243-260.
- Literature is fortunately a lively enough art that this sort of
analysis cannot kill it--though not for lack of trying. No! Just
kidding! But the first time I read through this piece and came upon
the following clause, explaining a diagram of the linking structure
of Afternoon--"[it] is simply the graph-theoretic
adjacency matrix ... [raised] to the seventh power"--I couldn't get
over what a treasure "simply" was in the midst of that. I'm not sure about the worth of that diagram, but it is
admittedly a perspective I'd never thought of, and the article
contains some valuable discussion of volatile hypertexts (i.e., the
kind the Web ain't--one that changes depending on readers'
decisions) and is a good eye-opener for anyone who thinks the Web
is the alpha and omega of hypertext.
- Bolter, Jay David, in Writing Space
- Chapter 8
- Douglas, J. Yellowlees.
"'How Do I Stop This Thing?': Closure and Indeterminancy in
Interactive Narratives." in Hyper/Text/Theory, pp.
159-188.
- Close readings of Afternoon and "WOE--Or a Memory
of What Will Be" by Joyce's most thoughtful (and thorough)
critic to date. The best piece of writing on Joyce I've yet seen.
- Douglas, J. Yellowlees. "Is There a Reader in
This Labyrinth? Notes on reading Afternoon," in
Computers and Writing: State of the Art (Kluwer Academic
Publishers, 1992), pp. 29-39.
- What appears to be an earlier version of the part of the essay
above focussed on Afternoon. I have not yet seen
Douglas's dissertation, but I suspect the various versions of this
essay came to fruition in it and in her forthcoming book. I'd
appreciate it if someone could enlighten me on this.
- Landow, George P., Hypertext:
The Convergence of Contemporary Critical Theory and Technology
- Chapter 4
- Revis,
Kurt. Lit 180c:
Postmodern Literature, Hypertext Presentation
- A sketchy discussion of "afternoon" with a couple of worthwhile
differences from other writings here: 1) it's available on the Web;
and 2) it contains some healthy skepticism about both the story and
software written by someone with (as far as I know) no connection
to Eastgate.
Twelve Blue (1996)
- As far as I know, the only place on the Web where you can read a complete, original
hypertext fiction by Joyce. A new piece written for the Web and published as one issue of
Eastgate's HypertextNow newsletter (1/4/97).
Twilight: A
Symphony (Eastgate, 1996; Storyspace CD)
- Joyce's much-heralded second hypertext novel (1/4/97).
CRITICISM AND REVIEWS:
- Lombreglia, Ralph. "So Many Links, So Little Time." Atlantic Unbound, November,
1996.
- A generally positive review, although Lombreglia notes his problems with disorientation in
the text. The highlight of the article is an e-mail interview with Joyce
(1/4/97).
- "WOE--or, a Memory of What
Will Be"
- I have not read this. There is at least one published essay
about it.
CRITICISM AND REVIEWS
- Douglas, J. Yellowlees. "'How Do I Stop This
Thing?': Closure and Indeterminancy in Interactive Narratives."
- See above under "Afternoon."
- "Mola" (with Carolyn Guyer, Nancy Lin, Suze Schweitzer, and Nigel Kerr)
- A hypertextual discussion carried on among the five
participants in 1994-95. One of those things that looks like it was
more fun to participate in creating than to read, as an outsider,
after the fact. For some background and a little orientation, read
Nick Routledge's brief introduction
at the World3 site where "Mola" is maintained, or the following
essays, both well-written and in some ways more interesting than
the "Mola" itself: (
1/4/97--new URL
at Joyce's homepage.)
CRITICISM AND REVIEWS
- Lin, Nancy. "Mola
Essay."
- An informative essay about the project's genesis (
Note: Unfortunately, this seems to be MIA. Last checked, 10/20/96)
- Tolva,
John. "Ut
Pictura Hyperpoesis: Spatial Form, Visuality, and the Written
Word."
- A thoughtful discussion of the visual characteristics of
hypertext
often obscured by Web browsers currently available. "Mola," Tolva
argues, cuts against the "page" metaphor of the Web by linking
everything (however, he's inaccurate in claiming this makes "Mola"
unique, or even original--this had previously been done in a Web
fiction at least once, in the otherwise forgettable short story "Mercury," by Mike Benedetti).
A paper to be presented at Hypertext '96. (1/6/96)
- Of Two Minds: Hypertext
Pedagogy and Poetics. University of Michigan Press,
1995.
- This collection of essays written over the past eight years or
so is a must for anyone studying hypertext fiction. Some are of
them are available online (see links below). Among the best pieces
are the informative "Hypertext and Hypermedia," a concise history
of hypertext writing; "What I Really Wanted to Do I Thought," in
which Joyce briefly recounts how he became a hypertext writer (about
half of this essay is available through Joyce's web site);
"Siren Shapes," which defines the crucial distinction between
"exploratory" and "constructive" hypertexts; and "The Ends of Print
Culture," (available online under a slightly different title from Postmodern Culture). The introduction is
also available online. Valuable for the bibliography alone, some
200+ cited works; however, I can't think of a good excuse for an
academic book--let alone one about hypertext--not having an index.Ordering information and excerpts are available at the Of Two
Minds homepage at the University of Michigan Press Web site.(9/20/95)
CRITICISM AND REVIEWS
Heaps, Allan. "Michael Joyce's Of Two Minds: Hypertext Pedagogy and Poetics" (review). In Kairos, Vol. 1, Iss. 3, Autumn 1996.
- I haven't had a chance to read this yet, but I hope the article is as neat as the whirling image of Joyce's book. At a glance (and only that, mind), it appears to consist more of summary and paraphrase than of evaluation or opinion. If you're prone to vertigo, headaches, or impatience, here's an alternate title-page link around Kairos' Frames-'R'-Us layout (10/20/96).
- Rosenberg, Jim. "Making Way for Making Way: Co-striation Act Topographer of the Mingle Scriptor Transform Dance."
- Overall an excellent, balanced, informed review, only minimally marred by Rosenberg's tendency to stand in awe of Joyce (cf. the first and last paragraphs).
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Last update: February 10, 1997
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