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Art, Art History & Visual Studies - Duke University
Current Events

Lecture on Medieval Sculpture

"The 'Head of a King' and Its Peers in Stone:
Limestone Work in Twelfth-century France"

Janet E. Snyder, Ph.D.
Professor of Art
West Virginia University


Head of a King, mid-12th century, Abbey Church of Saint-Germain-des-Pres (?), limestone, H: 25.1 cm, Nasher Museum of Art at Duke University, Brummer Collection (1966.125)

5 PM
Wednesday, January 25, 2012
Wired! Laboratory, 2nd floor, Bay 11, Smith Warehouse
(enter through Bay 12)

Professor Snyder’s dissertation examined the representation of textiles and clothing in northern French stone sculpture and, as a participant in the Limestone Sculpture Provenance Project, her subsequent work has addressed the manufacture of this sculpture. Her publications, papers, and lectures emphasize the context for medieval sculpture. She is co-editor of Blanche Lazzell: The Life and Work of an American Modernist (WVU Press, 2004) and Encountering Medieval Textiles and Dress: Objects, Texts, Images (Palgrave Macmillan, 2002). Her research has benefited from various grants and awards and she has participated in several NEH Seminars. She has presented papers at the International Congress for Medieval Art, the International Medieval Congress at Leeds, Southeastern College Art Conference, and the Midwest Art History Society. She has been active in AVISTA, Association Villard de Honnecourt for the Interdisciplinary Study of Medieval Technology, Science and Art, and presently serves on the boards of AVISTA, the Midwest Art History Society, and the Advisory Board of the West Virginia University Press.


Duke Visiting Artist Lecture Series 2011-12
Immersed in Every Sense
Spring 2012

A dynamic, inaugural Visiting Artist Lecture Series, Immersed in Every Sense, is being sponsored by Duke University with eleven artists visiting campus during the 2011-12 academic year.

Organized by the Department of Art, Art History & Visual Studies, Immersed in Every Sense will serve multiple audiences by bringing a diverse group of artists who cross many disciplinary boundaries to Duke.

The artists will give public lectures, meet with relevant classes in which they might provide a demonstration involving their artistic practice and/or critique student work, or become involved in programming in related areas of interest. Artists coming to Duke for a longer duration will develop a work on campus and conduct a more detailed, longer workshop with specific classes during their residency. Members of the community can attend various programs and activities to engage with the artists.

The series will augment the curricular offerings of a range of departments and programs through class visits, workshops, critiques, demonstrations, and screenings. In addition to the arts- and media-related disciplines at Duke, other programs in the humanities, social sciences, and sciences will benefit from discussions and engagement with the visiting artists.

This multi-perspective approach to art and media is an essential component of arts education, as well as a liberal arts and humanities education, at Duke. Complementing the Department of Art, Art History & Visual Studies’ hybrid of art-making practices, the invited artists’ work highlights the fusion between traditional and new media and digital arts.


January 30-February 2, 2012
Pat O’Neill
Experimental film
Artist talk/film screening: Tuesday, January 31, 6 PM, Nasher Museum of Art

February 28-March 1, 2012
Kianga Ford
Asst. Professor of Fine Arts/New Genres, School of Art, Media and Technology, Parsons The New School for Design
Installation, dance, performance, sonic arts
Artist talk: Wednesday, February 29, 6 PM, location to be determined

March 11-17, 2012
Ethan Jackson
Optical installation, photographic media, interactive video
Artist talk: Wednesday, March 14, 6 PM, FHI Garage
Installation at Divinity School

April 3-5, 2012
Art Werger
Chair and Professor of Printmaking, Ohio University
Drawing and printmaking
Artist talk: Wednesday, April 4, 6 PM, location to be determined

April 18-19, 2012
Ann Hamilton
Professor of Art, The Ohio State University
Installation, time-based arts, performance
Artist talk: Wednesday, April 18, 6 PM, Nasher Museum of Art

Immersed in Every Sense is generously supported by the Duke University Council for the Arts Visiting Artist Fund and the Department of Art, Art History & Visual Studies Visiting Artist Fund.

Department News

New Doctorates

Congratulations to our newest doctoral alumni, who successfully defended their dissertations in December 2011.

Zoe Jones
"A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914."
Advisor: Mark Antliff

Robert Mayhew
"Law, Commerce, and the Rise of New Imagery in Antwerp, 1500-1600"
Advisor: Hans van Miegroet

Matthew Woodworth
“The Architectural History of Beverley Minster, 721-c. 1370”
Advisor: Caroline Bruzelius


Graduate School Fellowships

Congratulations to the following graduate students on being awarded these competitive fellowships from the Duke Graduate School.

• Elizabeth Baltes: Summer Research Fellowship
• Elizabeth Baltes: Pre-Dissertation and Dissertation Research Travel Award
• Elizabeth Baltes: Aleane Webb Dissertation Research Award
• Marie Pier Boucher: Myra and William Waldo Boone Fellowship
• Kency Cornejo: Anne T. and Robert M. Bass Fellowship
• Alexandra Dodson: Summer Research Fellowship
• Alexandra Dodson: International Research Travel Fellowship
• Anna Kivlan: Special Collections Library Internship: African American Studies
• Lindsey Mazurek: Summer Research Fellowship
• Laura Moure Cecchini: Summer Research Fellowship
• Laura Moure Cecchini: Pre-Dissertation and Dissertation Research Travel Award
• Camila Maroja: Summer Research Fellowship
• Camila Maroja: International Research Travel Fellowship
• Camila Maroja: Julian Price Graduate Fellowship
• Erica Sherman: Pre-Dissertation and Dissertation Research Travel Award


Trent Foundation Grant

Caroline Bruzelius, Anne M. Cogan Professor of Art History, received a small grant from the Trent Foundation to do an animation with alumnus Umberto Plaja (Trinity '10) on the construction phases of San Lorenzo Maggiore in Naples.


DALMI gets Inaugural Emerging Humanities Networks Grant

Neil DeMarchi, Professor, Economics, and Hans J. Van Miegroet, Professor and Chair, Art, Art History & Visual Studies, have received one of six inaugural Emerging Humanities Networks grants from the Mellon Foundation-funded Humanities Writ Large initiative. The grant will support two workshops for undergraduate and graduate students, as well as expert international visitors, on Art, Law & Markets (April- November 2012); the development of Fantasy Collecting Network, a web-based network that will allow users to form virtual art collections according to rules that are consistent with some of the dynamics of the real-world art market; and the creation of an e-journal that will publish the results of research into the role of rationality and/or irrationality in purchasing art and related investment decisions.


Graduate Student in Pecha Kucha Raleigh

Doctoral student Pinar Yoldas gave a public talk at the Pecha Kucha Raleigh Vol.9 on Thursday, December 8, 2011. Pecha Kucha Raleigh is held about every month; local artists, designers, scholars, scientists, and engineers who have a brilliant idea to share get together and give public presentations that last strictly 6 minutes 40 seconds each. Yoldas’ talk was about her work entitled, "Speculative Biologies, " a series of animated sculptural work on the future of desire, intimacy, and body.

Pecha Kucha Night was devised in Tokyo in February 2003 for young designers to meet, network, and show their work in public. It has turned into a massive celebration, with events happening in hundreds of cities around the world, inspiring creatives worldwide.

Coming Soon

Visual Studies Initiative



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MFA in Experimental & Documentary Arts: Inaugural Year

The new Master of Fine Arts in Experimental & Documentary Arts (MFAEDA) at Duke University brings together two forms of artistic activity—the documentary approach and experimental production in analog, digital, and computational media—in a unique program that will foster collaborations across disciplines and media as it trains sophisticated, creative art practitioners. Successful completion of the program requires the development of a complex understanding of documentary practices and traditions as well as creative skills in experimental media and new technologies. The MFAEDA is a joint program between the Department of Art, Art History & Visual Studies; the Center for Documentary Studies; and the Program in the Arts of the Moving Image.


Highlight from the Nasher Museum of Art at Duke University


Jimmie Lee Sudduth, Rooster, 1991. Mud on wood, 23 x 23 1/8 inches. Collection of the Nasher Museum of Art at Duke University. Gift of Bruce Lineker, T'86, 2008.11.17. From the exhibition Angels, Devils and the Electric Slide: Outsider Art from the Permanent Collection, December 10, 2011-July 8, 2012.


NewsByte

NewsByte is published biweekly during the academic year. Please refer all relevant departmental information for inclusion in our email announcement to John Taormina, Director, Visual Media Center, at taormina@duke.edu.



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