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Undergraduates:

 

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Why Study Art, Art History and/or Visual Studies?

Modern culture is a visual culture, of images from the popular media -- advertising, photography, television, film and video -- to professional contexts -- the courtroom, the hospital, the lecture hall. From fractal theory in the sciences to computer imaging, visual competence and media literacy is central to critical thinking in the tweny-first century. The historical study of art, architecture and visual culture provides the understanding and the language necessary for analyzing space and images and recognizing their social impact. The making of art develops the ability to think visually and resolve spatial problems, at the same time that it involves the resonant satisfactions of creativity.

Art History is interdisciplinary. It involves the student in the culture, languages, politics and economics of the period in which the work was produced, as well as in its literature and religion. As in other fields of the Humanities, students are given the opportunity to develop their ability to formulate ideas orally and in writing. But in the study and criticism of structures and images, students refine their powers of gathering information visually as well as verbally. As a consequence of the historical and critical training involved in the study of Art History, majors are well-prepared for careers in any of the professions.

A passion for the visual artifact resides at the core of successful work in the history or practice of art, and both Art History and Studio training provide current and practical experience in the development and creative resolution of new ideas and their visual expression. In addition to the pleasure of a new awareness of the visual environment, these disciplines offer a new and compelling way to think and debate, and new perspectives on the past and present.

 

 

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