DUKE UNIVERSITY DANCE PROGRAM
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FALL SEMESTER 2007
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TECHNIQUE & PERFORMANCE (0.5 credit)
All courses taught in the Ark unless otherwise noted |
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| Dance 60 Modern Dance 1 |
Hutchins |
11:40 - 12:55 T TH |
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A movement course exploring modem dance through technique,
improvisation & composition. No previous experience necessary.
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| Dance 61 Modern Dance II |
Dickinson |
4:25 - 5:55 M W |
| For students at the intermediate or advanced level. |
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| Dance 62 Modern Dance III |
Dickinson |
4:25 - 5:55 M W |
| For students at the intermediate or advanced level. |
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| Dance 64 Modern Dance IV |
Dickinson
Khalsa
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4:25 - 5:55 MW
6:00 - 7:30 T TH |
| Continuation of Dance 63 |
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| Dance 63 Modern Dance 1V |
Khalsa |
6:00 - 7:30 T TH
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Continuation of Dance 62
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| Dance 66 Ballet Fundamentals |
Walters |
11:40 - 1:00 M W |
| Ballet technique from the very beginning. No previous dance experience required. |
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| Dance 67 Intermediate/Advanced Tap |
Medler |
11:40 - 12:55 T TH (Bivins 210) |
| Prerequisite: Previous training at the intermediate level. |
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| Dance 69 Jazz Dance I |
Wheeler |
1:15 - 2:35 M W |
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Dance technique in the jazz idiom at the beginner level. No previous experience is necessary.
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| Dance 70 Ballet II |
Dorrance |
10:05 - 11:20 T TH |
| Barre work concentrating on body alignment &
correct placement within the ballet vocabulary followed by center
adagio & allegro sequences. Prerequisite Dance 68 or equivalent. |
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| Dance 71 Ballet III |
Dorrance |
2:50 - 4:20 T TH |
| Greater complexity of barre & center sequences
with increased emphasis on correctness of style & quality
of performance. Prerequisite: Dance 70 or equivalent. |
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| Dance 73 Ballet IV |
Walters |
10:05 - 11:25 M W F |
| Increased emphasis on line, style, performance-level
quality and technique. Prerequisite Dance 71 or equivalent. |
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| Dance 74 Ballet V |
Dorrance
Walters
Walters
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10:05 - 11:25 M W
2:50 - 4:20 T TH
10:05 - 11:30 F |
| Continuation of Dance 73. Prerequisite: Dance
73 or equivalent. |
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| Dance 78 African Dance Technique I |
Vinesett |
4:25 - 5:50 T TH |
| Introduction to West African dance styles. No
previous dance experience required. |
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| Dance 79 African Dance Technique II |
Vinesett |
6:00 - 7:30 M W |
| Greater complexity of movement sequences, rhythm,
gestures and technique. Prerequisite: Dance 78 or consent of
the instructor. |
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| Dance 80.01 - 80.07 Individual Dance Program: Special Topics |
Staff |
TBA; Times TBA |
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| Dance 81 Repertory: Modern |
Dickinson |
7:30 - 9:00 T TH |
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| Dance 82.01 Repertory: Ballet |
Dorrance |
3:05 - 5:05 F |
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| Dance 83 Repertory: African Dance |
Vinesett |
7:30 - 9:00 M W (Crowell) |
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| Repertory courses will be preparing for performance
on the Dance Program's Faculty/Student concert, "November Dances
2007" in Reynolds Auditorium on November 17th & 18th. |
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| HISTORY & THEORY (1.0 Credit) |
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| Dance 95FCS.01 Art of Transformation |
Khalsa |
10:05 - 12:05 T TH (Crowell) |
| Movement, theater, music, and writing exercises, focusing on participants as individuals, as members of an ensemble, and within the context society. The work of Augusto Boal (Brazilian theater director, writer, and theorist). Theater and movement as tools for direct interaction with the Duke community. Open only to students in the Arts in Contemporary Society FOCUS Program. |
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| Dance 101 Introduction to Dance |
Dickinson |
10:05 - 11:20 M W TBA
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| Dance as a reflection of historical and current cultural values. Introduction to some of the major forms of world dance (for example, classical dances of Europe, Asia and Africa, and American modern dance); how dance forms illuminate and define gender, personal and group identity, political and religious status, aesthetic values and the intentions of the dance-makers; dance as an educative force, a facilitator of cultural acquisition, and a reflection of cultural change; the function of dance in various cultural settings; how to look at dance, to analyze movement, and to read the text of dance structure. |
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| Dance 114.01 T'ai Chi and Chinese Thought |
Nickerson |
1:15 - 2:45 M W TBA
6:00 - 7:00 T TBA |
The philosophy, cosmology, and other aspects of traditional Chinese thought embodied in the martial art of T'ai Chi. Course conducted through readings and lectures as well as actual movement praxis. Comparisons between Western bio-medical notions of the body and those implied by T'ai Chi and other facets of Chinese thought and practice, such as Chinese medicine. |
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| Dance 130.01 Ballet Masterworks of the 20th Century |
Walters |
4:25 - 5:40 T TH TBA |
| Works by Fokine, Nijinski, Balanchine, Tudor, Tharp, Forsythe, and other major choreographers in the classical idiom, and how they initiated, influenced, absorbed and responded to modernist and postmodernist ideas and trends. The transformation of the classical aesthetic through the century. |
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| Dance 136T Advanced Dance Composition |
Staff |
TBA (TBA) |
| The basic elements of movement (time, space, weight, flow) and their choreographic applications explored through structured improvisation, short movement studies, and selected readings. Prerequisite: Dance 135S or consent of Instructor. |
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| Dance 182T Choreography |
Dickinson |
TBA (TBA) |
| Advanced study in dance composition designed to
develop the students' personal mode of expression. Prerequisite:
Dance 135S, Dance 136T, and consent of Instructor. |
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| Dance 191.01- 192.01 Research Independent Study |
Staff |
TBA (TBA) |
| Individual research and reading in a field of
special interest, under the supervision of a faculty member,
resulting in a substantive paper or written report containing
significant analysis and interpretation of a previously approved
topic. Consent of Instructor required. |
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| Dance 200T Senior Project |
Staff |
TBA (TBA) |
| A research paper, project, or program (with appropriate
written documentation) under dance faculty supervision. Open
only to seniors earning a minor in dance. |