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106 Bivins Bldg.  Box 90686  Durham, NC - 27708  919.660.3354 (fax) 919.684.8906
 

DUKE UNIVERSITY DANCE PROGRAM

 
SPRING SEMESTER 2008
 
     
TECHNIQUE & PERFORMANCE (0.5 credit)
All courses taught in the Ark unless otherwise noted
     
Dance 60 Modern Dance 1 Hutchins 11:40 - 12:55 T Th

A movement course exploring modem dance through technique, improvisation & composition. No previous experience necessary.

     
Dance 61 Modern Dance II Dickinson 4:25 - 5:55 M W
Increased complexity of movement sequences & greater emphasis on clarity of expression & quality of performance. Prerequisite: Dance 60 or equivalent.
     
Dance 62 Modern Dance III Dickinson 4:25 -5:55 M W
Technical and artistic training in the modern dance idiom. The intermediate level introduces increased complexity of movement sequences and greater emphasis on clarity of expression and quality of performance. Continuation of Dance 61.
     
Dance 63 Modern Dance IV Khalsa 6:00 - 7:30 T TH
Continuation of Dance 62
     
Dance 64 Modern Dance V

Dickinson
Khalsa

4:25 - 5:55 M W
6:00 - 7:30 T TH
Prerequisite: Dance 63 or equivalent. The student will attend 4 classes per week
     
Dance 68 Ballet I Roller 11:40 - 12:55 T TH
Fundamentals of classical ballet technique concentrating on correct placement and body alignment within the ballet vocabulary. No previous experience is necessary.
     
Dance 70 Ballet 11 Walters, Julie 10:05 - 11:20 T TH
Barre work concentrating on body alignment & correct placement within the ballet vocabulary followed by center adagio & allegro sequences. Prerequisite Dance 68 or equivalent.
     
Dance 71 Ballet 111 Dorrance 1:15 - 2:45 T TH
Greater complexity of barre & center sequences with increased emphasis on correctness of style & quality of performance. Prerequisite: Dance 70 or equivalent.
     
Dance 72 Jazz Dance II Wheeler 1:15 - 2:45 M W
Prerequisite: Dance 69 or equivalent.
     
Dance 73.01 Ballet IV
Walters, Tyler 10:05 - 11:25 M W F
Progression of Dance 71, with increased emphasis on line, style performance-level quality and technique. Diverse batterie, pirouettes, & tours included in allegro combinations. Prerequisite Dance 71 or equivalent.
     
Dance 74 Ballet V Dorrance
Walters

10:05 - 11:25 M W F
1:15 - 2:45 T Th

     
Dance 78 African Dance Tech 1 Johnson 4:25 - 5:50 T TH
Introduction to West African dance styles. No previous dance experience required.
     
Dance 79 African Dance Tech 11 Vinesett 6:00 - 7:30 M W
Greater complexity of movement sequences, rhythm, gestures, and technique with a focus on clarity of expression and quality of performance. Prerequisite: Dance 78 or consent of the instructor.
     
Dance 80.01 - 80.07 Individual Dance Program: Special Topics Staff TBA; Times TBA
     

Dance 82.01 Repertory: Ballet

Walters

7:30 - 9:00 TH
7:30 - 9:00 M

Dance 83 Repertory: African Dance Vinesett 7:30 - 9:00 M W
Dance 88 Repertory: Jazz Dance Wheeler 2:50 - 4:20 M W
The study of choreography and performance through participation in the mounting of a dance work from inception through rehearsal to performance. A work will be set on the students and rehearsed in preparation for 5-6 possible performances at the end of the term. This involves the study of choreography & performance through participation in the dance creative process. To be performed in ChoreoLab 2008, April 19 - 20, 2008.
     
HISTORY & THEORY (1.0 Credit)    
     
Dance 135S Dance Composition Dickinson 11:40 - 12:55 T TH (Crowell)
The basic elements of movement (time, space, weight, flow) and their choreographic applications explored through structured improvisation, short movement studies, viewing of videotaped dances, and selected readings. Experimentation with devices for movement manipulation and choreographic forms through longer movement studies. Prerequisite: a begining level dance technique course (modern, ballet, jazz, or African) or consent of the instructor.
     
Dance 155 Kundalini Yoga and Sikh Dharma Khalsa 1:15 - 2:45 T TH (Crowell); 2:50 - 4:30 Th (Carr #137)
An in-depth examination of the history and lifestyle of American Sikhism through the lens of Kundalini Yoga and Meditation. After an introduction to the basic tenets of the Sikh faith and an overview of its 500-year history, we will examine the life of Siri Singh Sahib (Yogi Bhajan). We will look at the impact of his move to the United States in 1969, and his open teaching of a Yogic technology previously accessible only to the upper castes in India. His emphasis on developing and maintaining a daily spiritual practice using the tools of Kundalini Yoga and meditation will be the focus of this course that combines one lecture/discussion with two yoga/meditation classes per week.
     
Dance 158.01 Dance and Religion in Asia and Africa Vinesett & Shah 10:05 - 11:20 M W (West Duke #105)
Dance and dance-theatre forms in relation to religious beliefs, concepts, and mystic practices within the Asian and African cultures. How religion shapes the way the body is perceived, and how spiritual power and energy is symbolically transmitted to the dancer through religious practices. Impact of colonialism and globalization on traditional religious performances. One Course.

     
Dance 182T.01 Choreography (Ind) Dickinson TBA (TBA)
Advanced study in dance composition designed to develop the students' personal mode of expression. Prerequisite: Dance 135S, Dance 136T, and consent of Instructor.
     
Dance 159S Beyond Technique: The Art of Performance Dickinson & Walters

11:40 - 12:55 M W (Crowell)

An examination of the complex artistic process of performance necessary to realize the choreographer's intent; the development of interpretive abilities beyond the mastery of technique and style; classic and contemporary approaches to embodying content. Readings in the literature of performance and imaging; written analysis of performance; vigorously coached rehearsal sessions. Students will be expected to progrress dramatically in their performance artistry. Prerequisite: intermediate/advanced level of modern, balle or African dance technique.
     
199S Research Methods in Dance Studies Shah 2:50 - 4:05 M W (Carr #241)
Examination of research methodologies in Dance Studies; theory, history, ethnography, education, choreography/practice and therapy. Readings investigate methods of interviewing and documentation, participatory experience, in secondary research, and issues of objectivity in ethnographic research. II. Students develop and submit a research paper that formulates and researches an extensive individual project completed in 200T (Senior Project). Prerequisite: Junior or Senior standing, Dancce 101 and one additional course in dance history, or theory or world cultures of dance.
     
THE FOLLOWING COURSES ARE OFFERED AS NEEDED   CROSS LISTED COURSES OFFERED FROM OTHER DEPARTMENTS

136T Advanced Dance Composition

182T Choreography

200T or 200AT Senior Project

 

162S Movement for the Theater
10:05 - 11:20 AM T TH