[1] Anonymous. "Shrove Tyde". London: M.S., 1660. 1.

[2] Archer, Ian W. “London and Westminster.” A Companion to Renaissance Drama. Ed. Arthur F. Kinney. Malden: Blackwell Publishing Ltd., 2002.

[3] Brand, John. Observations on the Popular Antiquities of Great Britain. London, 1777. 63-89.

[4] Deloney, Thomas. The Pleasant History of the Gentle Craft. London: W.Wilde,1696. 12-15

[5] Feldman, Sylvia. Morality Patterned Comedy of the Renaissance. Paris: The Hague, 1970. 90-95.

[6] Ferrell, Lori Anne. “Religious Persuasions c.1580-c.1620.” A Companion to
Renaissance Drama. Ed. Arthur F. Kinney. Malden: Blackwell Publishing Ltd.,
2002. 64-67.

[7] Gerrard, Ernest A. Elizabethan Drama and Dramatists. 1583-1603. Oxford:
John Johnson at the University Press, 1928. 278-290.

[8] Hattaway, Michael. “Drama and Society.” The Cambridge Companion to
English Renaissance Drama. Ed. A.R. Braunmuller and Michael Hattaway. Cambridge:
Cambridge University Press, 1990. 98-105.

[9] Hunter, G.K. "Comedy, Farce, Romance." The Cambridge Companion to English Renaissance Drama. Ed. A.R. Braunmuller and Michael Hattaway. Cambridge: Cambridge University Press, 1990. 33.

[10] Kinney, Arthur F. Renaissance Drama. Ed. Arthur F. Kinney. Malden: Blackwell Publishing Ltd., 2002. 367.

[11] Levenson, Jill. "Comedy." The Cambridge Companion to English Renaissance Drama. Ed. A.R. Braunmuller and Michael Hattaway. Cambridge: Cambridge Universiy Press, 1990. 266.

[12] Price, George R. Thomas Dekker. New York: Twayne, 1969. 14-15.

[13] Wall, Wendy. Staging Domesticity: Household Work and English Identity in
Early Modern Drama. Cambridge: Cambridge University Press, 2002. 20-26

OED??? for Firk, Varlet, codpiece point