Dada in Berlin
1918 - 1924

Spartacus- (died 71 bJC), Thracian gladiator in Rome who led a slave revolt known as the Third Servile War or Gladiators' War. He won victories at Capua (73) and in Southern Italy, defeating five Roman armies and entering Cisalpine Gaul. His soldiers devastated the land and  moved south toward Sicily where they were eventually defeated by Crassus, who, with Pompey's aid, crucified some 6,000 of the rebels. Spartacus died in battle, his army holding 3,000 Roman prisoners unharmed.

Sparticists, German political party of the radical left that broke away from the Social Democrats during World War 1. Led by Karl Liebknecht and Rosa Luxembourg, the Sparticists refused to sustain the war effort and rejected participation in the post-Versailles republican government. The Sparticists fomented a number of uprisings, including one in Berlin in 1919 that resulted in thousands of casualties. Volunteer armies of ex-servicemen were employed to suppress the movement
 
 

The word Dada symbolizes the most primitive relation to the surrounding reality; with Dadaism a new reality emerges in its own right. Life appears as a simultaneous disharmony of noises, colors, and spiritual rhythms, which becomes subsumed whole into Dadaist art, with all the sensational screams and fevers of its insolent everyday psyche and with its total brutal reality. Here lies the sharply marked boundary separating Dadaism from all previous artistic tendencies, and above all from FUTURISM which until recently some imbeciles have taken to be a new version of impressionist realization. Dadaism for the first time stands against an aesthetic attitude towards life, while tearing to pieces all the slogans of ethics, culture and inwardness, which are only cloaks for weak muscles.[...]  For Dada in Berlin to be a Dadaist may mean under certain circumstances to be more a busineasman, more a politician [Parteimann] than an artist [...] I was already analyzing quite clearly that  the only possibility offered to Dadaism in Germany: a relativist, anti-bourgeois, anti-capitalist and activist Conception of life, of  political and diplomatic intelligence, a manifesto of inquietude and energy in which art occupied only a minuscule place, which would even direct itself against art so long as art remained a profit-seeking product of a compact bourgeois class."
 

ESTABLISHED Groups:

February 1918: Huelsenbeck's presentation  of DADA in Zürich and  proclamation that DADA is the Future: "DADA wants to be the war party of the great international art movements. It is the transition to the new joy garnered from real things."

April 1918: Huelsenbeck publishes the DADA Manifesto . Creation of the Club DADA.