Week	Topic
1	Tonicization and Modulation Introduction to Musical Form Review: Cadential vs Embellishing Harmonic Function
2	Musical Form: The Role of V in Binary and Rounded Binary Form. Analyses of Minuets by Haydn and Mozart.
3	More examples of Tonicization. New Figured Bass Techniques: Sequential harmonic progressions by fifth and third.
4	The Classical Minuet: Stylistic Features and Rhythmic Framework. Binary/Rounded Binary Forms Review:Authentic and Contrapuntal Cadential Procedures
5	Writing Minuets Diatonic Sequences
6	Rhythmic Components of Classical Minuets Analysis of Beethoven Op. 27 No. 2 (ii) Mode Mixture Friday, October 6th: MIDTERM EXAM and PROJECTS 1 and 2 due.
7 (a,b)	The Lied: Introduction to Text Setting Analysis of Schubert Song: Die liebe Farbe Mode Mixture
8	The Lied: Setting Melody to a Text Analysis Schubert Song: Die Krahe
9	Ninteenth-Century Character Piece: Waltz and Prelude Analysis of Chopin Mazurka Op. 24,3.
10	Accompaniment patterns for preludes and other dance forms Applied V and VII Tonicization of diatonic triads and chords related through simple mixture
11	New Antecedent Consequent Techniques Sequential Antecedents Modulating Consequents
12	The Phrygian II (Neapolitan Sixth Chord) Analysis of Mendelssohn Op. 102, No. 4.
13 (a)	Evaded Cadential Procedures Deceptive Resolutions Utilizing Secondary Dominants Using the Neapolitan Sixth in Evaded cadences SEMESTER BREAK : Wednesday, November 22 until Sunday the 26
14	Review:Phrygian Half Cadence Augmented Sixth Chords Re-examine B-section of Chopin Op. 24,3. PROJECTS 3 and 4 due.
15	Analysis of Mozart: "Voi che sapete" Review Session (optional): December 8.
16	FINAL EXAM PERIOD: December 11-16.