Melodies
Full Setting of Bach, "Herzliebster"
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A |
T |
B
Melody 4: Schumann, "Schusslied des Narren"
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Directions and Help
- Note the key in which each melody begins. How is this sense of tonic reinforced?
- Mark in each melody where we begin to get a sense of a new key area. How does each composer clearly establish III as a temporary tonic?
- Sing through each melody with solfège syllables. Where can you switch to a new do to elucidate the new key area (and, coincidentally, to make your job easier)? Where can you switch back to the original do (if at all)?
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Concepts in Practice
Tonicizing III in minor
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