TRANSFORMATION
Biography
Olivier Messiaen. The Technique of
my Musical Language, 14-15
Claude Samuel. Conversations
with Olivier Messiaen: 91-94
Others: Peter Franklin,
"Modernism...," 143-162
MUSIC:
Quartet for the End of Time
MUSIC:
Sept Haiku
Indian Influences
Ravi Shankar
R. D. Morris: "Aspects of Confluence between Western Art Music and
Ethnomusicology," in E. W. Marvin and R. Hermann. eds..
Concert
.Music, Rock, and Jazz since 1941:
Essays and. Analytical Studies (Rochester. NY.
1995). 53‑64 .
Exotic: Mervyn Cooke, “’The East in the West’: Evocations of
the Gamelan in Western Music,” 292-306
Charles Bower Price. “Sources of American Styles in the Music of the Beatles.” American Music 15:2 (Summer 1997),
208-232
P. Hayward,
ed.: Widening the Horizon: Exoticism in
Post‑War Popular Music (Sydney, 1999)
MUSIC:
Sgt. Pepper's Lonely Hearts Club Band, "Within you, without
you"
East Asia...
Locating East Asia in
Western Art Music.
Yayoi Uno Everett and Frederick Lau, eds. Middletown, CN: Wesleyan University Press, ©2004.
Yayoi
Uno Everett in Locating East Asia in Western Art Music,
Introduction, xviii
David Pacun.
“’Thus we cultivate our own world, and thus we share it with
others’: Kósçak
Yamada’s Visit to the United
States in 1918-1919.” American Music 24:1 (Spring 2006), 67-94.
East Asia...
Zorn
... Forms, Finding the Orient
East Asia...
East Asia...
Chou
East Asia...
Takemitsu
Steven Nuss. Hearing ‘Japanese”, Hearing Takemitsu.” Contemporary Music Review, 21:4 (December 2002), 35-71.
East Asia...
Gamelan
Neil
Sorrel. “Gamelan: Occident or Accident.” Musical Times 133:1788 (February
1992), 66-68.
Leta E. Miller and Fredric
Lieberman. “Lou Harrison
and the American Gamelan.” American Music, 17:2 (Summer 1999), 146-78.
Japan
W. Anthony Shepherd. “Representing the
Authentic: Tak
Shindo’s ‘Exotic Sound’ and Japanese American
History.” Echo: A Music-Centered Journal 6:2
(Fall 2004), http://www.echo.uncla.edu/volume6-issue2/shepherd/shepherd1.html
East Asia...
Others:
John Corbett,
“Experimental Oriental,” 163-83
Exotic: Mervyn Cooke, “’The East in the West’:
Evocations of the Gamelan in Western Music,” 268-80
Stretch, 101. John
Cage: The Perpetual Process of Artistic Discovery, 429-33; John Cage, “The Future of Music: Credo”
(1937, PUB. 1961), 430; John Cage, from “Composition” (1952),
431
Wilfrid Mellers. “Percussion in the New-Old
World. There Was a Mid-century
Percussive Revolution in Western Music, American Composers Had Much to Do with
It.” The Musical Times, 133:1795 (Sep. 1992), 445-447.
MUSIC:
Sonatas and Interludes, Sonata V
Reich. Writings
on Music ,
28-37
Karen
Rochelle Liu. The Influence of Ewe
Music on Steve Reich’s Drumming.” MA Thesis, California State University, Fullerton,
2002.
Pyramids, "Primitivism
Revisited," 208-212.
Stretch, 110.
Minimalism and
Beyond: Philip Glass, from Interview by William Duckworth (1995),
468;
John Adams, from
Interview by Reinder Pols
(1991), 469
Jarrett
Gernot Blume. "Blurred affinities: tracing the influence of North Indian
classical music in Keith Jarrett's solo piano improvisations." Popular Music 22:2 (May 2003), 117-142.
Robin Lynam.
“Keith Jarrett” review of CD. South China Morning Post, July 3, 2005
John
Rockwell. “New-Age Music Searches for
its Proper Niche.” The New York
Times,
June 22, 1986,
Sunday, Late City Final Edition, Section 2; Page 25, Column 1; Arts and Leisure
Desk.