Books used in course pack and also on reserve in Perkins
Classic Essays = Classic Essays on Twentieth-Century Music. Richard Kostelanetz and Joseph Darby, eds. New York: Schirmer Books, ©1996. 780.904 C614, 1996
CMMC = Bryan R. Simms, ed. Composers on Modern Musical Culture.
New York: Schirmer Books, 1999.
Stretch = To Stretch Our Ears; a Documentary History of America’s Music.
J. Heywood Alexander, ed. New York: W. W> Norton & Company,
©2002
Crossroads = Elizabeth F. Barkley. Crossroads, Popular Music
in America. New Jersey: Prentice Hall, ©2003.
Exotic = Jonathan Bellman, ed. The Exotic in Western Music. Boston: Northeastern University Press, ©1998. 780 E96, 1998
Global Pop = Timothy D. Taylor. Global Pop: World Music, World Markets. NY: ROutledge ©1997. 781.6309 T246, G562, 1997
Others = Georgina Born and David Hesmondhalgh, eds. Western Music and Its Others. Berkeley: University of California Press, ©2000. 781.6 W527, 2000
Pyramids = Glenn Watkins. Pyramids at the Louvre : Music, Culture, and Collage from Stravinsky to the Postmodernists. Cambridge, Mass. : Belknap Press of Harvard University Press, 1994. 780.904 W335, P998, 1994
RC = Richard Crawford. An Introduction to America's Music. New York: W. W. Norton & Company, ©2001. 780.973 C899, I61, 2001
Samuel = Claude Samuel. Conversations with Olivier Messiaen. London: Stainer & Bell, ©1967. 780.0711 M585S
Two Worlds = John Storm Roberts. Black Music of Two Worlds:
African, Caribbean, Latin, and African-American Traditions, Second Edition.
New York: Schirmer Books, ©1998. 780.8996 R645, B627,
1998
Louise Meintjes. "Paul Simon's Graceland, South Africa, and the Mediation
of Musical Meaning.”
Ethnomusicology. Vol. 34, no. 1, Winter 1990, 37-73.
Messiaen. The Technique of My Musical Language. Paris: Alhonse Leduc, 1944. 781 M585, T255, 1956, v 1 and v 2
Steve Reich. Writings on Music. New York: New York University Press, ©1974. 780.8 R347, L776, 1974
Edward W. Said. Orientalism. New York: Vintage Books, ©1979. PERSONAL COPY ON RESERVE
.