TransformationHow other cultures have changed or contributed to our culture. |
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| 7/17 |
Folk - Class NotesNative Americans as potential sources of American art music(Exotic: Michael V. Pisani. "I'm an Indian Too": Creating Native American Identities in Ninetyeenth- and Early Twentieth-Century Music, 218-257) Others: Claudia Gorbman. "Scoring the Indian: Music in the Liberal Western, (234-253). 241-49 (class handout, not in coursepack). |
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Copland - Class Notes
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Bartok - Class Notes |
| 7/23 |
Oriental influences
Oriental influences in America
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| 7/24 |
R AH R R R R MESSIAENOlivier Messiaen. The Technique of my Musical Language, 14-15Claude Samuel. Conversations with Olivier Messiaen: 91-94 Others: Peter Franklin, "Modernism...," 143-162 MUSIC: Quartet for the End of Time MUSIC: Sept Haiku |
| 7/25 |
Cage - Class NotesOthers: John Corbett, “Experimental Oriental,” 163-83 Exotic: Mervyn Cooke, “’The East in the West’: Evocations of the Gamelan in Western Music,” 268-80 JOHN CAGE: WebPage, AH Stretch, 101. John Cage: The Perpetual Process of Artistic Discovery, 429-33; John Cage, “The Future of Music: Credo” (1937, PUB. 1961), 430; John Cage, from “Composition” (1952), 431 MUSIC: Sonatas and Interludes, Sonata V |
| 7/28 |
Beatles - Class NotesExotic: Mervyn Cooke, “’The East in the West’: Evocations of the Gamelan in Western Music,” 292-306 MUSIC: Sgt. Pepper's Lonely Hearts Club Band, "Within you, without you" |
| 7/29 |
Minimalism - Class NotesReich. Writings on Music , 28-37 Pyramids, "Primitivism Revisited," 208-212. Stretch, 110. Minimalism and Beyond: Philip Glass, from Interview by William Duckworth (1995), 468;REICH: Biography,WebPage MUSIC: Reich, Clapping Music MUSIC: RC 3:18 Philip Glass, Einstein at the Beach, 1976 |