Irish Literary Revival
The Celtic Revival, also known as the Irish Literary Revival, was begun by Lady Gregory, Edward Martyn and William Butler Yeats in Ireland in 1896. The Revival stimulated new appreciation of traditional Irish literature. The movement also encouraged the creation of works written in the spirit of Irish culture, as distinct from English culture. This was, in part, due to the political need for an individual Irish identity. Figures such as Yeats, J.M. Synge and Sean O'Casey wrote many plays and articles about the political state of Ireland at the time. These were connected with another great symbol of the literary revival, The Abbey Theatre, which served as the stage for many new Irish writers and playwrights of the time.
J. M. Synge
Although he came form a middle-class Protestant background, Synge's writings are mainly concerned with the world of the Roman Catholic peasants of rural Ireland and with what he saw as the essential paganism of their world view.
The Playboy of the Western World (1907)– an unflattering portrayal of the working class Irish. It is set in a cottage in County Mayo (on the North-West coast of Ireland) during the early 1900s. It tells the story of Christy Mahon, a young man supposedly running away having killed his father. Christy arrives at the cottage, and the locals are more interested in vicariously enjoying his story than in condemning his morality.
The Shadow of the Glen (1905)
William Butler Yeats
Yeats played a part in the Irish Literary Revival, though as a dramatist his role was rather limited. To see more on Yeats and his poetry, check out my page on Yeats in the the poetry section.
The Countess Cathleen – dramatizes an Irish fable about those who sell their soul for food during the famine.
Sean O’Casey
a major Irish dramatist and memorist. A committed nationalist and socialist, he was the first Irish playwright of note to write about the Dublin working classes. His plays are particularly noted for his sympathetic treatment of his female characters.
The Plough and the Stars – deal with the impact of the Irish Civil War on the working class poor of the city. The Plough and the Stars, an anti-war play, was misinterpreted by the Abbey audience as being anti-nationalist and resulted in scenes reminiscent of the riots that greeted Synge's The Playboy of the Western World in 1907.
Innocence and Experience
Oscar Wilde
Check out my page here for information on Wilde as a dramatist and writer of prose fiction.